A rich history of wanderers, exiles and intruders. A haunting personal journey through Central Asia. An intimate reflection on mixed identity shaped by cultural crossings. In the late 1800s, a group of German-speaking Mennonites fled Russia for Muslim Central Asia, to await Christ's return. Over a century later, Sofia Samatar traces their gruelling journey across desert and mountains, and its improbable fruit: a small Christian settlement inside the Khanate of Khiva. Named 'The White Mosque' after the Mennonites' whitewashed church, the village-a community of peace, prophecy, music and martyrs-lasted fifty years. Within this curious tale, Sofia discovers a tapestry of characters connected by the ancient Silk Road: a fifteenth-century astronomer-king; an intrepid Swiss woman traveller; the first Uzbek photographer; a free spirit of the Harlem Renaissance. Along the way, in a voice both warm and wise, she explores her own complex upbringing as an American Mennonite of colour, the daughter of a Swiss-American Christian and a Somali Muslim. On this pilgrimage to a lost village and a near-forgotten history, Samatar traces the porous borders of identity and narrative. When you leave your tribe, what remains? How do we enter the stories of others? And how, out of life's buried archives and startling connections, does a person construct a self?

Tone is a collaborative study of literary tone, a notoriously challenging and slippery topic for criticism. Both granular and global, infusing a text with feeling, tone is so difficult to pin down that responses to it often take the vague form of “I know it when I see it.” In Tone, a cooperative authorial voice under the name of the Committee to Investigate Atmosphere begins from the premise that tone is relational, belonging to shared experience rather than a single author, and should be approached through a communal practice. In partnership, the Committee explores the atmospheres emanating from texts by Nella Larsen, W. G. Sebald, Heike Geissler, Hiroko Oyamada, Mieko Kanai, Bhanu Kapil, Franz Kafka, Renee Gladman, and others, attending to the chafing of political irritation, the hunger of precarious and temporary work, and the lonely delights of urban and suburban walks. This study treats a variety of questions: How is tone filtered through translation? Can a text hold the feelings that pass between humans and animals? What can attention to literary tone reveal about shared spaces such as factories, universities, and streets and the clashes and connections that happen there? Searching and conversational, Tone seeks immersion in literary affect to convey the experience of reading—and living—together.

Tone is a collaborative study of literary tone, a notoriously challenging and slippery topic for criticism. Both granular and global, infusing a text with feeling, tone is so difficult to pin down that responses to it often take the vague form of “I know it when I see it.” In Tone, a cooperative authorial voice under the name of the Committee to Investigate Atmosphere begins from the premise that tone is relational, belonging to shared experience rather than a single author, and should be approached through a communal practice. In partnership, the Committee explores the atmospheres emanating from texts by Nella Larsen, W. G. Sebald, Heike Geissler, Hiroko Oyamada, Mieko Kanai, Bhanu Kapil, Franz Kafka, Renee Gladman, and others, attending to the chafing of political irritation, the hunger of precarious and temporary work, and the lonely delights of urban and suburban walks. This study treats a variety of questions: How is tone filtered through translation? Can a text hold the feelings that pass between humans and animals? What can attention to literary tone reveal about shared spaces such as factories, universities, and streets and the clashes and connections that happen there? Searching and conversational, Tone seeks immersion in literary affect to convey the experience of reading—and living—together.

Four women, soldier, scholar, poet, and socialite are caught up on different sides of a violent rebellion. As war erupts and their families are torn apart, they fear they may disappear into the unwritten pages of history. Using the sword and the pen, the body and the voice, they struggle not just to survive, but to make history. Praise for The Winged Histories: "Like an alchemist, Sofia Samatar spins golden landscapes and dazzling sentences...a fantasy novel for those who take their sentences with the same slow, unfolding beauty as a cup of jasmine tea, and for adventurers like Tav, who are willing to charge ahead into the unknown."--Shelf Awareness (starred review) "A highly recommended indulgence." --N.K. Jemisin, New York Times Book Review "Above all, it's a story about love--the terrible love that tears lives apart. Doomed love; impossible love; love that requires a rewriting of the rules, be it for a country, a person, or a story."--Jenn Northington, Tor.com "An imaginative, poetic, and dark meditation on how history gets made." --Hello Beautiful Sofia Samatar is the author of the novels A Stranger in Olondria and The Winged Histories and a collection, Tender: Stories. She has written for the Guardian, Strange Horizons, New Inquiry, Believer, and Clarkesworld, among others, and has won the John W. Campbell Award, the Crawford Award, the British Fantasy Award, and the World Fantasy Award. She lives in Virginia and her website is sofiasamatar.com.

Jevick, the pepper merchant's son, has been raised on stories of Olondria, a distant land where books are as common as they are rare in his home. When his father dies and Jevick takes his place on the yearly selling trip to Olondria, Jevick's life is as close to perfect as he can imagine. But just as he revels in Olondria's Rabelaisian Feast of Birds, he is pulled drastically off course and becomes haunted by the ghost of an illiterate young girl.

In desperation, Jevick seeks the aid of Olondrian priests and quickly becomes a pawn in the struggle between the empire's two most powerful cults. Yet even as the country shimmers on the cusp of war, he must face his ghost and learn her story before he has any chance of becoming free by setting "her" free: an ordeal that challenges his understanding of art and life, home and exile, and the limits of that seductive necromancy, reading.

"A Stranger in Olondria" is a skillful and immersive debut fantasy novel that pulls the reader in deeper and deeper with twists and turns reminiscent of George R. R. Martin and Joe Hill.

Sofia Samatar is an American of Somali and Swiss German Mennonite background. She wrote "A Stranger in Olondria" in Yambio, south Sudan, where she worked as an English teacher. She has worked in Egypt and is pursuing a PhD in African languages and literature at the University of Madison, Wisconsin.

World Fantasy, British Fantasy, and Locus award finalist Divided into "Tender Bodies" and "Tender Landscapes," the stories collected here in this first collection of short fiction from a rising star travel from the commonplace to the edges of reality. Some of Samatar's weird and compassionate fabulations spring from her life and literary studies; some spring from the world, some from the void. Tender explores the fragility of bodies, emotions, and landscapes, in settings that range from medieval Egypt to colonial Kenya to the stars, and the voices of those who question: children, students, servants, researchers, writers. Tender includes two new stories, "An Account of the Land of Witches" and the Nommo Award shortlisted "Fallow."